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This article is more than 4 years old. After a brief exclamation of disgust at his foolishness, she starts looking for the thing but after a while gives up, laughing merrily, presumably at the absurdity of money and possessions. Watch our video Millions of people around the world read the Guardian because they know they can trust us to report on the facts with rigour and clarity.
Sachs is such a talented film-maker, but this is a baffling misstep. Reuse this content. She has also invited her smart, pretty friend Irene Marisa Tomeiwho works in the film industry and whom she is hoping to pair off with unmarried Paul.
Frankie looks like nothing so much as one of those late Woody Allen movies in a luxury tourist setting, only with even less possibility — in fact none at all — of any laughs.
11 jobs to view and apply for now with Guardian Jobs. The very worst moment comes when Frankie broods over a flashy piece of jewellery, a diamond-and-gold bangle that an old lover gave her — it is worth thousands of Euros and she tries giving it to Paul to help him out with his money worries.
Spoilt, petulant Paul throws this bangle into the undergrowth. Isabelle Huppert stars, gliding across the surface of the movie, doing a professional job and nothing more: her tendency to opaque hauteur is on show. Isabelle Huppert sleepwalks through a film that proves even great directors are capable of crimes against cinema.
We would like to show you a description here but the site won’t allow us. And no possibility of anything substantially serious, either. And Ira Sachs has laid one so big that the walls of the Palais des Festivals may have be knocked down so it can be safely removed.
Museum jobs. This really is baffling, considering how superb his other movies have been, such as his complex drama Little Men and the wonderful lifelong-romance story Love Is Strange But this is a blank, uneasy, pointless, variably acted multinational production, inertly set in the picturesque Portuguese city of Sintra — which is shot handsomely enough but with no special flair.
Glazing over … Isabelle Huppert in Frankie.
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The scenes have no fire or lightness and sometimes they are embarrassing. The final shot is almost unbearably self-aware and yet redundant. Most viewed. E ven the very best film-makers can lay an egg sometimes.